Veronica Sandoval

When Veronica, a business administration major, met Gabriel, an oceanography major, neither imagined her hobby of metal embossing would become their own unique style of repoussé, the European technique of embossing metal sculptures. The two fell in love with—well, with each other, but also with ... moreWhen Veronica, a business administration major, met Gabriel, an oceanography major, neither imagined her hobby of metal embossing would become their own unique style of repoussé, the European technique of embossing metal sculptures. The two fell in love with—well, with each other, but also with copper and aluminum, whose soft nature allowed them to capture intimate details collectors discover—and rediscover—with each viewing. Be it crosses, contemporary designs, or the rich, riotous colors of the Sonoran Desert in bloom, their work resonates with everyone—religious, spiritual, or simply lovers of art. “These pieces; we don’t make them only to sell,” says Veronica. “I put myself into it. My hands are guided by my faith.”

The Sandovals’ creations find homes with many: the non-religious who still find comfort in a cross, the faithful seeking tangible symbols of their faith, and the wounded who find peace in their work. “Every piece we sell here, there’s something behind it,” says Veronica. “We don’t do anything without putting ourselves into it.”

The Sandoval’s inspiration stems from key values in their lives such as their roots in Mexico, nature, faith, family, and friends. Currently living and working in Scottsdale and Tucson, Arizona Their work has been exhibited in galleries both locally and internationally for the past 25 years

Process
In researching the history of the ancient Art of repoussé, the Sandovals found that Eastern Europeans favored complex detail, while artists in Western Europe opted for depth and definition. But to Veronica and Gabriel, art was about reinventing tradition. Both hail from families with Spanish, Italian, and Native American heritage; both were born in Mexico. Living in America was an opportunity to create art with many bloodlines but no boundaries, combining finer detail with greater definition. Reflection became a design element, so their pieces change with the light. And while most repoussé artists favor subtle shades or simple patinas, the Sandovals added acrylics and oils to create a vibrant desert view.

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